The human brain’s relationship with reality is fickle at best. The slightest ripple in our expectations can send us off one of many available edges. In his book, The Conspiracy Against the Human Race (Hippocampus Press, 2011), Thomas Ligotti paraphrases Peter Wessel Zapffe, writing,
Consciousness is connected to the human brain in a way that makes the world appear to us as it appears and makes us appear to ourselves as we appear–that is, as ‘selves’ or as ‘persons’ strung together by memories, sensations, emotions, and so on (p. 25).
When the continuity of that connection is corrupted, we are set adrift.
In Chameleo (O/R Books, 2015), Robert Guffey’s friend Dion has the continuity of his consciousness severely corrupted. Dion’s reality is already shaky at best, so Guffey sets out to document and investigate the odd goings on around Dion. Quoting Theodore Sturgeon, Guffey says, “Always ask the next question.” Chameleo turns on this very fulcrum: It is a series of next questions asked not necessarily until the questions are answered, but until all of the possibilities are exhausted.
Dion is followed, harassed, and interrogated by groups of people seen and unseen. “Invisible midgets” begin infiltrating his home after he is taken in for questioning about a load of missing night-vision goggles he had nothing to do with. These diminutive, invisible people sometimes appear as aberrations in Dion’s peripheral vision. Imagine the painting of railroad tracks on the tops of trains. If you’re looking at the train from above, you only see the tracks–unless you’re watching very closely. Project Chameleo is based on a much more technologically advanced version of this very concept: invisibility by adaptive camouflage, like a texture-mapped, technicolor chameleon. That’s one of the simplest examples of the alien technology in this complex and confounding tale. If you’d like to dip your toe in a bit further, The Believer posted this excerpt. As the inimitable Pat Cadigan puts it, “Guffey is my kind of crazy. He understands that the universe is preposterous, life is improbable, and chaos rules: get used to it.”
Chaos definitely rules in After the Saucers Landed by Douglas Lain (Night Shade, 2015). It chronicles the biggest letdown one can face: having your dreams come true, but having them be less than dreamy. The aliens that Ufologist Harold Flint had sought his whole life landed in a flurry of B-movie tropes and cringe-worthy clichés. Their arrival turns out to be the least strange thing that happens.
Many of the major Ufologists and alien-abduction researchers get name-checked: Budd Hopkins, Whitley Strieber, J. Allen Hynek, and others, as well as art and creative types like John Cage, Fluxus, and Rudy Rucker (via his book Saucer Wisdom). The verisimilitude makes this story seem all too possible. Having read this directly after Chameleo, I can say that fiction and nonfiction are more difficult to tell apart than ever.
It would be remiss of me not to mention that both of these authors have previous works equally worthy of your attention. In particular, check out Robert Guffey’s Cryptoscatology: Conspiracy Theory as Art Form (Trine Day, 2012) and Douglas Lain’s edited collection In the Shadow of the Towers: Speculative Fiction in a Post 9/11 World (Night Shade, 2015). Weirdness awaits!
I marshal the middle between Mathers and McLuhan.