My dad is an air traffic controller, so I’ve grown up with a special relationship with airports. These grounded waystations are like family members, some close siblings, some distant cousins. Is there a more interstitial space than an airport? It is the most terminally liminal area: between cities, between flights, between appointments, between everything. The airport… Continue reading Terminal Philosophy: A Cultural History of Airports
Grant Morrison describes his growing up through comics books as a Manichean affair: “It was an all-or-nothing choice between the A-Bomb and the Spaceship. I had already picked sides, but the Cold War tension between Apocalypse and Utopia was becoming almost unbearable” (p. xiv). Morrison’s first non-comic book, Supergods (Spiegel & Grau, 2011), is one-half… Continue reading Return to Cinder: Supergods and the Apocalypse
I used to solve the Rubik’s Cube — competitively. I never thought much of it until I, for some unknown reason, was recently compelled to tell a girl that story. I now know how nerdy it sounds. The girl and I no longer speak. Some of the things I grew up doing, I knew were… Continue reading For the Nerds: Bricks, Blocks, Bots, and Books
The turntable is easily the most iconic cultural artifact associated with Hip-hop, but the advent and adoption of the boombox had as much to do with its spread and tenacity. Before raps were on the radio, they were on the tapes. Think of the turntable and the microphone as the senders and the boombox and… Continue reading Boombox Apocolypse: From Mixtapes to Mash-ups
In the words of biographer Richard Kostelanetz, John Cage (no relation) was so full of original ideas that he begged to be misunderstood. He did for music what Duchamp and Warhol did for art: His work questioned and critiqued the establishment in which it existed. Infuriating to many, inspirational to others, his place in the… Continue reading Before, Beyond, Beware: Books on Noise and Music
