Of Refuse and Refuge: The Downward Spiral
“Humans turned themselves into masters only to find a new way to become slaves.”— Gunther Anders, The Obsolescence of the Human The society depicted in Terry Gilliam’s 1985 movie Brazil is industrial in its aesthetics and institutional in its metaphysics, bureaucratic beyond all hope. Gilliam’s original title for the project was 1984½, in homage to… Continue reading Of Refuse and Refuge: The Downward Spiral
